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FILMMAKER & VIDEO EDITOR | ARCHITECTURE & DESIGN | LONDON
THE
SPACEMAN
VISUALS

APPROACH
Before I film a space, I walk it slowly, camera with me but quiet: how light crosses the room, what proportions repeat, what you hear inside and what leaks in from outside. I read what the space gives: the sensation the architect was aiming at, and the sensation the space creates in the here and now. Only then I decide where the camera goes, how long a shot holds, where the cut lands. Interiors and design objects work the same way, at their own scale. What I'm filming is what the project meant to give, filtered through my eye.
APPROACH
I trained as an architect, then started filming. That training still shapes how I read a project.
Before I film a space, I walk it slowly, camera with me but quiet: how light crosses the room, what proportions repeat, what you hear inside and what leaks in from outside. I read what the space gives: the sensation the architect was aiming at, and the sensation the space creates in the here and now.
Only then I decide where the camera goes, how long a shot holds, where the cut lands. Interiors and design objects work the same way, at their own scale.
What I'm filming is what the project meant to give, filtered through my eye.

THE SPACEMAN VISUALS

THE WORK
Films and photography for architecture, design and cultural projects. Architecture came first, the camera followed.
The experience of the space, shaped for the screen.
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